Temple Timings
Mangala-Arati : 4:10am (Altar closes at 6:30am)
Srila Prabhupada Guru-Puja : 7:30am
Pushpa-Arati : 8:45am
Bhoga-Arati : 12:45pm
Temple closes at 1:00pm and reopens at 3:30pm
Sandhya-Arati : 5:45pm
Shayan-Arati : 8:30pm
Temple closes at 8:45pm
The Samadhi Mandir is open to Pilgrims from 7:30am to 1 pm and 3:30pm to 8:45pm
Museum is open to Pilgrims from 9:00am – 1:00pm and 3:30pm – 8:30pm
The construction of Srila Prabhupada Samadhi spanned from 1980 to 1995.
Mangala-Arati
Our morning begins with Mangala Arati, starting promptly at 4:30. It is considered the most auspicious and blissful ceremony for all participants. The Pujari blows the conch, and the Deity's curtains are opened. Before opening the curtains, the Pujari awakens the Deities, offering them Balya-bhoga of morning paraphernalia, water, and milk sweets or other preparations suitable for early morning. The transcendental sound of the conch (shankh) is blown to signal the awakening of the Deities, who appear still dressed in their night attire, without garlands or jewelry. While the Pujari performs Mangala-arati, the devotees offer their obeisances and engage in kirtana, which involves a set program of songs. Sri Sri Gurvashtakam is sung during the Mangala-arati ceremony, glorifying the guru and his engagement of disciples in the process of Bhakti-yoga. Then, Nrsimhadeva arati is sung. This arati signifies the devotee's surrender unto Lord Nrsimhadeva and even glorifies Lord Nrsimhadeva for His pastime of killing the demon Hiranyakashipu. Lord Nrsimhadeva removes all obstacles from the path of Bhakti.
Tulasi Arati
Right after the Mangal Arati, the prayer to Tulasi Maharani takes place. Tulasi is the most sacred plant and is known as the favorite of Lord Krishna. Worship of Tulasi Maharani is beneficial as she grants Bhakti to the devotees. One devotee offers Aarti with incense, a lamp, and flowers on behalf of all the devotees, and then everyone waters the roots of Tulsi Maharani to seek her blessings.
Darsana-Arati
Once the Deities are ornamented, dressed, and worshiped privately, they give Darshan to all the devotees so that people can offer prayers and worship. The chief priest offers Arati with a lamp, incense, chamara, and peacock fan. It's a blissful sight, full of devotion.
Srila Prabhupada Guru-Puja
In this session, ISKCON members offer greetings to Srila Prabhupada. They express gratitude to him and seek his mercy, understanding that without the guru, one cannot reach the Supreme. He is the bestower of knowledge in the hearts of sincere devotees. During the Guru Puja, devotees sing and offer flower petals at the lotus feet of the great Srila Prabhupada.
Srimad-Bhagavatam
After Guru Puja, all the devotees sit down together and listen to the auspicious Srimad Bhagavatam. In keeping with the ancient tradition of passing down spiritual knowledge, our well-versed speakers teach the essence of this timeless scripture, providing everyone with the opportunity to grow in their spiritual lives. The spokesperson reads the stanza and explanations by Srila Prabhupada. Following that, they engage in a discussion on the topic. Finally, the speaker answers all the queries.
Bhoga-Arati
This particular Arati lasts up to 20 minutes. During the Arati, food is offered to all the Deities. The chief priest also offers aromatic incense, fresh flowers, a chamara, and a peacock fan to the Deities..
Dhupa-Arati
This Arati lasts for 10 minutes. The chief priest offers Aarti with aromatic incense, fresh flowers, a chamara, and a peacock fan as well. Following that, fruits are offered to the Deities as bhog.
Sandhya-Arati
Sandhya Arati is better known as Gaura Arati. All the devotees sing Gaura Aarti and offer worship to Lord Chaitanya. This is one of the most magnificent and wonderful Aratis, attracting people from all over to praise the Lord. Devotees sing loudly and dance, creating a blissful sight that is not to be missed.
Class on Bhagavad-Gita
Similar to the morning, the evening session is conducted with equal devotion and reverence. It is organized for both worshippers and residents alike.
Shayan-Arati
It is the final Arati of the day, offering devotees their last chance to see and worship the Deities.
Mangala-Arati
Visvanatha Cakravarti Thakura has written this song “samsara-davanala-lidha-loka”. The official name of this song is Sri Sri Gurv-ashtaka (Eight Prayers to the Guru). In this song, Visvanatha Cakravarti Thakura describes the glories of the Spiritual Master. Srila Visvanatha Cakravarti Thakura, who appeared in the middle of the seventeenth century, is a great spiritual master in the Krishna conscious chain of gurus and disciples. He says, “One who, with great care and attention, loudly recites this beautiful prayer to the spiritual master during the brahma-muhurta obtains direct service to Krishna, the Lord of Vrindavana, at the time of his death.”
(1)
tranaya karunya-ghanaghanatvam
praptasya kalyana-gunarnavasya
vande guroh sri-caranaravindam
mahaprabhoh kirtana-nritya-gita
vaditra-madyan-manaso rasena
romanca -kampasru-taranga-bhajo
vande guroh sri-caranaravindam
sringara-tan-mandira-marjanadau
yuktasya bhaktams ca niyunjato ’pi
vande guroh sri-caranaravindam
svadv-anna-triptan hari-bhakta-sanghan
kritvaiva triptim bhajatah sadaiva
vande guroh sri-caranaravindam
madhurya-lila guna-rupa-namnam
prati-kshanasvadana-lolupasya
vande guroh sri-caranaravindam
ya yalibhir yuktir apekshaniya
tatrati-dakshyad ati-vallabhasya
vande guroh sri-caranaravindam
uktas tatha bhavyata eva sadbhih
kintu prabhor yah priya eva tasya
vande guroh sri-caranaravindam
yasyaprasadan na gatih kuto ’pi
dhyayan stuvams tasya yasas tri-sandhyam
vande guroh sri-caranaravindam
(1) The spiritual master is receiving benediction from the ocean of mercy. Just as a cloud pours water on a forest fire to extinguish it, so the spiritual master delivers the materially afflicted world by extinguishing the blazing fire of material existence. I offer my respectful obeisances unto the lotus feet of such a spiritual master, who is an ocean of auspicious qualities.
(2) Chanting the holy name, dancing in ecstasy, singing, and playing musical instruments, the spiritual master is always gladdened by the sankirtana movement of Lord Caitanya Mahaprabhu. Because he is relishing the mellows of pure devotion within his mind, sometimes his hair stands on end, he feels quivering in his body, and tears flow from his eyes like waves. I offer my respectful obeisances unto the lotus feet of such a spiritual master.
(3) The spiritual master is always engaged in the temple worship of Sri Sri Radha and Krishna. He also engages his disciples in such worship. They dress the Deities in beautiful clothes and ornaments, clean Their temple, and perform other similar worship of the Lord. I offer my respectful obeisances unto the lotus feet of such a spiritual master.
(4) The spiritual master is always offering Krishna four kinds of delicious food [analyzed as that which is licked, chewed, drunk, and sucked]. When the spiritual master sees that the devotees are satisfied by eating bhagavat-prasada, he is satisfied. I offer my respectful obeisances unto the lotus feet of such a spiritual master.
(5) The spiritual master is always eager to hear and chant about the unlimited conjugal pastimes of Radhika and Madhava, and Their qualities, names, and forms. The spiritual master aspires to relish these at every moment. I offer my respectful obeisances unto the lotus feet of such a spiritual master.
(6) The spiritual master is very dear, because he is expert in assisting the gopis, who at different times make different tasteful arrangements for the perfection of Radha and Krishna’s conjugal loving affairs within the groves of Vrindavana. I offer my most humble obeisances unto the lotus feet of such a spiritual master.
(7) The spiritual master is to be honored as much as the Supreme Lord, because he is the most confidential servitor of the Lord. This is acknowledged in all revealed scriptures and followed by all authorities. Therefore I offer my respectful obeisances unto the lotus feet of such a spiritual master, who is a bona fide representative of Sri Hari [Krishna].
Nrsimhadeva-Arati
Krsna Dvaipayana Vyasa has written this song “namas te narasimhaya”. The official name of this song is Sri Nrisimha Pranama. This song is taken from the book Nrsimha Purana.
(1)
prahladahlada-dayine
hiranyakasipor vakshahsila-
tanka-nakhalaye
yato yato yami tato nrisimhah
bahir nrisimho hridaye nrisimho
nrisimham adim saranam prapadye
dalita-hiranyakasipu-tanu-bhringam
Srimati Tulasi Devi
(1)
namo namah tulasi krishna-preyasi namo namah
radha-krishna-seva pabo ei abilashi
(2)
ye tomara sarana loy, tara vancha purna hoy
kripa kori’ koro tare vrindavana-vasi
(3)
mora ei abhilasha, vilasa kunje dio vasa
nayana heribo sada yugala-rupa-rasi
(4)
ei nivedana dhara, sakhira anugata koro
seva-adhikara diye koro nija dasi
(5)
dina krishna-dase koy, ei yena mora hoy
sri-radha-govinda-preme sada yena bhasi
TRANSLATION:
(1) O Tulasi, beloved of Krishna, I bow before you again and again. My desire is to obtain the service of Sri Sri Radha and Krishna.
(2) Whoever takes shelter of you has his wishes fulfilled. Bestowing your mercy on him, you make him a resident of Vrindavana.
(3) My desire is that you will also give me a residence in the pleasure groves of Sri Vrindavana-dhama. Thus within my vision I will always behold the beautiful pastimes of Radha and Krishna.
(4) I beg you to make me a follower of the cowherd damsels of Vraja. Please give me the privilege of devotional service and make me your own maidservant.
(5) This very fallen and lowly servant of Krsna prays, "May I always swim in the love of Sri Radha and Govinda.
Sri Tulasi Pranama
vṛndāyai tulasī-devyai
priyāyai keśavasya ca
viṣṇu-bhakti-prade devī
satya vatyai namo namaḥ
I offer my repeated obeisances unto Vrinda, Srimati Tulasi Devi, who is very dear to Lord Kesava. O goddess, you bestow devotional service to Krishna and you possess the highest truth.
Sri Tulasi Pradakshina Mantra
yāni kāni ca pāpāni
brahma-hatyādikāni ca
tāni tāni praṇaśyanti
pradakṣiṇaḥ pade pade
By the circumambulation of Srimati Tulasi Devi all the sins that one may have committed are destroyed at every step, even the sin of killing a brahmana.
And when COLLECTING LEAVES from the plant, the following mantra should be chanted:
tulasy armṛta-janmāsi
sadā tvaṁ keśava-priya
keśavārthaṁ cinomi tvāṁ
varadā bhava śobhane
Sri Krishna Caitanya Doya Koro More
Narottam Das Thakur has written this song “Sri Krsna Caitanya Prabhu Doya Koro More”. The official name of this song is Savarana Sri Gaura Pada Padme Prarthana. This song is taken from the book Punah Prarthana (Section: Lalasa Song 1). In this song, Narottam Das Thakur prays to Lord Chaitanya and his associated to shower their mercy upon him.
sri-krishna-caitanya prabhu doya koro more
toma bina ke doyalu jagat-samsare
patita-pavana-hetu tava avatara
mo sama patita prabhu na paibe ara
ha ha prabhu nityananda, premananda sukhi
kripabalokana koro ami boro duhkhi
doya koro sita-pati adwaita gosai
tava kripa-bale pai caitanya-nitai
ha ha swarup, sanatana, rupa, raghunatha
bhatta-juga, sri-jiva ha prabhu lokanatha
doya koro sri-acarya prabhu srinivasa
ramacandra-sanga mage narottama-dasa
Govindam Prayer
Venum kvanantam aravinda-dalayataksam
Barhavatamsam asitambuda-sundarangam
Kandarpa-koti-kamaniya-visesa-sobham
I worship Govinda, the primeval Lord, who is adept in playing on His flute, with blooming eyes like lotus petals, His head decked with peacock feathers, the figure of beauty tinged with the hue of blue clouds, His unique loveliness charming millions of cupids.
Angani yasya sakalendriya-vrtti-manti
Pasyanti panti kalyanti ciram jaganti
Ananda-cinmaya-sad-ujjvala-vigrahasya
I worship Govinda, the primeval Lord, whose transcendental form is full of bliss, truth, substantiality and is thus full of the most dazzling splendor. Each of the limbs of that transcendental figure possesses in Himself, the full-fledged functions of all the organs, and eternally sees, maintains and manifests the infinite universes, both spiritual and mundane.
Srila Prabhupada Guru-Puja
Narottam Das Thakur has written this song “Sri Guru Caran Padma”. The official name of this song is Sri Guru Vandana (The Worship of Sri Guru) (Guru Puja). This song is taken from the book Prema Bhakti Candrika. In this song, Narottam Das Thakur glorifies the Spiritual Master, who is the ocean of mercy.
bando mui savadhana mate
jahara prasade bhai, e bhava toriya jai,
krishna-prapti hoy jaha ha’te
ar na koriho mane asa
sri-guru-carane rati, ei se uttama-gati,
je prasade pure sarva asa
divya jnan hride prokasito
prema-bhakti jaha hoite, avidya vinasa jate,
vede gay jahara carito
lokanath lokera jivana
ha ha prabhu koro doya, deho more pada-chaya,
ebe jasa ghushuk tribhuvana
Bhoga-Arati
Bhaktivinod Thakur has written a song Bhoga Arati and the Official Name for this song is Bhoga Arati (at Ṭhākura Bhaktivinoda’s home at Surabhi-kuñja in Godruṁa-dvīpa). This song is taken from the book Gitavali (Section: Arati Kirtan Song 4). Bhaktivinoda Thakura talks about the different delicacies prepared by Sri Radhey. There are various delicacies both sweet and sour prepared for Sri Krishna , Balaram and His sakha’s. The remnants of the food is thoroughly enjoyed by Shree Radhe and her sakhis. Eating those remnants their heart is filled with bliss and satisfaction.
(1)
bhaja bhakata-vatsala śrī-gaurahari
śrī-gaurahari sohi goṣṭha-bihārī
nanda-jaśomatī-citta-hari
(bhaja govinda govinda gopāla)
(2)
belā ho’lo dāmodara āisa ekhano
bhoga-mandire bosi’ koraho bhojana
(3)
nandera nideśe baise giri-bara-dhārī
baladeva-saha sakhā baise sāri sāri
(4)
śuktā-śākādi bhāji nālitā kuṣmāṇḍa
dāli dālnā dugdha-tumbī dadhi mocā-khaṇḍa
(5)
mudga-borā māṣa-borā roṭikā ghṛtānna
śaṣkulī piṣṭaka khīr puli pāyasānna
(6)
karpūra amṛta-keli rambhā khīra-sāra
amṛta rasālā, amla dwādaśa prakāra
(7)
luci cini sarpurī lāḍḍu rasābalī
bhojana korena kṛṣṇa ho’ye kutūhalī
(8)
rādhikāra pakka anna vividha byañjana
parama ānande kṛṣṇa korena bhojana
(9)
chale-bale lāḍḍu khāy śrī-madhumaṅgala
bagala bājāy āra deya hari-bolo
(10)
rādhikādi gaṇe heri’ nayanera koṇe
tṛpta ho’ye khāy kṛṣṇa jaśodā-bhavane
(11)
bhojanānte piye kṛṣṇa subāsita bāri
sabe mukha prakhāloy ho’ye sāri sāri
(12)
hasta-mukha prakhāliyā jata sakhā-gaṇe
ānande biśrāma kore baladeva-sane
(13)
jambula rasāla āne tāmbūla-masālā
tāhā kheye kṛṣṇa-candra sukhe nidrā gelā
(14)
biśālākha śikhi-puccha-cāmara ḍhulāya
apūrba śayyāya kṛṣṇa sukhe nidrā jāya.
(15)
jaśomatī-ājñā pe’ye dhaniṣṭhā-ānīto
śrī-kṛṣṇa-prasāda rādhā bhuñje ho’ye prīto
(16)
lalitādi sakhī-gaṇa avaśeṣa pāya
mane mane sukhe rādhā-kṛṣṇa-guṇa gāya
(17)
hari-līlā ek-mātra jāhāra pramoda
bhogārati gāy ṭhākur bhakativinoda
Sandhya-Arati
Bhaktivinod Thakur has written this song “Jaya Jaya Goracander Arotik”. The official Name for this song is Sri Gaura Ārati. This song is taken from the book Gitavali (Section: Arati Kirtana Song 2). Bhaktivinoda Thakura speaks about the essence of Gaura Arati which is attracting everyone. Sri Caitanya is accompanied by Nitya nanda and other associates. Sri Krishna Caitanya is seated in a opulent throne and Lord Brahma along with other demigods are performing the Gaura Aarti. All the great Vaishnava and demigods are serving Maha prabhu with great ecstasy.
(1)
(kiba) jaya jaya goracander aratiko sobha
jahnavi-tata-vane jaga-mana-lobha
jaga-jana-mana-lobha
(First Refrain) gauranger arotik sobha jaga-jana-mana-lobha
dakhine nitaicand, bame gadadhara
nikate adwaita, srinivasa chatra-dhara
bosiyache goracand ratna-simhasane
arati koren brahma-adi deva-gane
narahari-adi kori’ camara dhulaya
sanjaya-mukunda-basu-ghosh-adi gaya
(5)
sankha baje ghanta baje baje karatala
madhura mridanga baje parama rasala
(Second Refrain) sankha baje ghanta baje madhur madhur madhur baje
bahu-koti candra jini’ vadana ujjvala
gala-dese bana-mala kore jhalamala
siva-suka-narada preme gada-gada
bhakativinoda dekhe gorara sampada