Dried Bamboo Leaves

The tips of His nails are so soft – it is as if they were dried bamboo leaves.
(NOD 26)
To concentrate the mind, one must observe a life of celibacy and not fall down. One must undergo the austerity of voluntarily giving up sense enjoyment. One must then control the mind and senses, give charity, be truthful, clean and nonviolent, follow the regulative principles and regularly chant the holy name of the Lord. Thus a sober and faithful person who knows the religious principles is temporarily purified of all sins performed with his body, words and mind. These sins are like the dried leaves of creepers beneath a bamboo tree, which may be burned by fire although their roots remain to grow again at the first opportunity.
(SB 6.1.13-14)
In the previous verse Śukadeva Gosvāmī gave the example that the dried leaves of creepers beneath a bamboo tree may be completely burnt to ashes by a fire, although the creepers may sprout again because the root is still in the ground. Similarly, because the root of sinful desire is not destroyed in the heart of a person who is cultivating knowledge but who has no taste for devotional service, there is a possibility that his sinful desires will reappear.
(SB 6.1.15 purport)

Kṛṣṇa’s Flute

As far as His flute is concerned, it is said that the vibration of this wonderful instrument was able to break the meditation of the greatest sages. Kṛṣṇa was thus challenging Cupid by advertising His transcendental glories all over the world.

There are three kinds of flutes used by Kṛṣṇa. One is called veṇu, one is called muralī, and the third is called vaṁśī. Veṇu is very small, not more than six inches long, with six holes for whistling. Muralī is about eighteen inches long with a hole at the end and four holes on the body of the flute. This kind of flute produces a very enchanting sound. The vaṁśī flute is about fifteen inches long, with nine holes on its body. Kṛṣṇa used to play on these three flutes occasionally when they were needed. Kṛṣṇa has a longer vaṁśī, which is called mahānandā, or sammohinī. When it is still longer it is called ākarṣiṇī. When it is even longer it is called ānandinī. The ānandinī flute is very pleasing to the cowherd boys and is technically named vaṁśulī. These flutes were sometimes bedecked with jewels. Sometimes they were made of marble and sometimes of hollow bamboo. When the flute is made of jewels it is called sammohinī. When made of gold, it is called ākarṣiṇī.

(NOD 26)

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